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	<title>Dominique Heath &#8211; The Carolinian Newspaper</title>
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		<title>Review: Hadestown Reimagines Greek Mythology</title>
		<link>https://caro.news/review-hadestown-reimagines-greek-mythology/</link>
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		<dc:creator><![CDATA[Dominique Heath]]></dc:creator>
		<pubDate>Tue, 04 Aug 2026 19:10:00 +0000</pubDate>
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					<description><![CDATA[By Dominique Heath Columnist For five days, Hadestown stepped off the Broadway stage and onto the big screen, giving moviegoers a rare opportunity to experience the Tony Award-winning musical on [&#8230;]]]></description>
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	<p><a href="https://caro.news/wp-content/uploads/2026/08/hadestown.jpeg"><img decoding="async" class="alignnone size-full wp-image-19098" src="https://caro.news/wp-content/uploads/2026/08/hadestown.jpeg" alt="" width="1440" height="811" srcset="https://caro.news/wp-content/uploads/2026/08/hadestown.jpeg 1440w, https://caro.news/wp-content/uploads/2026/08/hadestown-300x169.jpeg 300w, https://caro.news/wp-content/uploads/2026/08/hadestown-1024x577.jpeg 1024w, https://caro.news/wp-content/uploads/2026/08/hadestown-768x433.jpeg 768w, https://caro.news/wp-content/uploads/2026/08/hadestown-600x338.jpeg 600w, https://caro.news/wp-content/uploads/2026/08/hadestown-107x60.jpeg 107w, https://caro.news/wp-content/uploads/2026/08/hadestown-160x90.jpeg 160w" sizes="(max-width: 1440px) 100vw, 1440px" /></a></p>
<p class="p1"><b>By Dominique Heath</b></p>
<p class="p2"><b>Columnist</b></p>
<p class="p3"><span class="s1"> For five days, Hadestown stepped off the Broadway stage and onto the big screen, giving moviegoers a rare opportunity to experience the Tony Award-winning musical on the big screen. More than a filmed stage production, Hadestown is a bold reinterpretation of Greek mythology that blends ancient storytelling with the musical traditions of New Orleans, creating a production that feels both timeless and strikingly modern.</span></p>
<p class="p3"><span class="s1"> The musical intertwines two Greek myths: the love story of Orpheus and Eurydice and the complicated relationship between Hades, ruler of the Underworld, and his wife, Persephone. While the original myths are centuries old, Hadestown places them in a world shaped by jazz, blues, folk, and gospel, proving that great stories can transcend both time and culture.</span></p>
<p class="p3"><span class="s1"> The New Orleans influence is impossible to ignore. Rather than treating jazz as background music, the production allows it to shape the pace, emotion, and personality of the story. Hermes takes on the role of storyteller, guiding the audience through each chapter with ease, emotion, and flare, while the live band becomes as much a part of the narrative as the actors themselves. The result is a musical that uplifts Black American music.</span></p>
<p class="p3"><span class="s1"> The choice to tell a Greek myth through the sounds of New Orleans is one of the production's most compelling creative decisions. It demonstrates how stories evolve as they pass through different cultures. The themes of love, loss, hope, and perseverance remain unchanged, but the music gives them a new voice rooted in a city whose artistic legacy has influenced generations of musicians and storytellers.</span></p>
<p class="p3"><span class="s1"> Beyond its music, Hadestown offers pointed social commentary.</span></p>
<p class="p3"><span class="s1"> In this retelling, Hades is less of a mythical god and more of an industrial magnate. He builds an empire on labor, convincing workers that the walls surrounding Hadestown exist for their protection. They are promised security, stability, and purpose, but in exchange they surrender their freedom, spending their days working endlessly while slowly forgetting who they are and why they came.</span></p>
<p class="p3"><span class="s1"> The wall becomes one of the production's strongest symbols. Built under the promise of safety, it ultimately serves to isolate and control the very people it claims to protect. It becomes easy for audiences to interpret and draw parallels to the wall as a commentary on labor, class, politics, and wealth.</span></p>
<p class="p3"><span class="s1"> At its center, however, Hadestown remains a love story.</span></p>
<p class="p3"><span class="s1"> Orpheus and Eurydice are not portrayed as flawless heroes. They are two young people trying to build a life together while navigating poverty, uncertainty, and impossible choices. Their relationship feels contemporary because its struggles are familiar. Love alone cannot erase hardship, yet hope continues to drive both characters forward, even when the outcome seems inevitable.</span></p>
<p class="p3"><span class="s1"> The cast brings that emotional weight to every performance. Each actor fully embraces the production's unique style, balancing humor, heartbreak, and powerful vocals without overshadowing one another. The chemistry among the ensemble and the actors reinforces one of the musical's central messages: no story belongs to a single generation. Each retelling allows new audiences to discover something different.</span></p>
<p class="p3"><span class="s1"> That may be Hadestown's greatest achievement. Rather than simply adapting Greek mythology for modern audiences, it reimagines it through an American cultural lens while preserving the emotional core that has allowed these stories to endure for thousands of years.</span></p>
<p class="p3"><span class="s1"> For audiences fortunate enough to catch its limited theatrical release, Hadestown offered more than an evening of entertainment. It demonstrated how music, mythology, and social commentary can come together to create a production that feels just as relevant today as the stories did when they were first told.</span></p>
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		<title>Collective Impact Conference Highlights Collaboration, Community Awareness in Fight Against Human Trafficking</title>
		<link>https://caro.news/collective-impact-conference-highlights-collaboration-community-awareness-in-fight-against-human-trafficking/</link>
					<comments>https://caro.news/collective-impact-conference-highlights-collaboration-community-awareness-in-fight-against-human-trafficking/#respond</comments>
		
		<dc:creator><![CDATA[Dominique Heath]]></dc:creator>
		<pubDate>Thu, 02 Jul 2026 14:41:00 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<guid isPermaLink="false">https://caro.news/?p=18527</guid>

					<description><![CDATA[By Dominique Heath Columnist BUIES CREEK — Before the first presentation began, attendees filled Campbell University's student union hall exchanging business cards, introducing themselves to different organizations and discussing how [&#8230;]]]></description>
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	<p><a href="https://caro.news/wp-content/uploads/2026/07/20260616_114235-scaled.jpg"><img loading="lazy" decoding="async" class="alignnone size-full wp-image-18561" src="https://caro.news/wp-content/uploads/2026/07/20260616_114235-scaled.jpg" alt="" width="2560" height="1920" srcset="https://caro.news/wp-content/uploads/2026/07/20260616_114235-scaled.jpg 2560w, https://caro.news/wp-content/uploads/2026/07/20260616_114235-300x225.jpg 300w, https://caro.news/wp-content/uploads/2026/07/20260616_114235-1024x768.jpg 1024w, https://caro.news/wp-content/uploads/2026/07/20260616_114235-768x576.jpg 768w, https://caro.news/wp-content/uploads/2026/07/20260616_114235-1536x1152.jpg 1536w, https://caro.news/wp-content/uploads/2026/07/20260616_114235-2048x1536.jpg 2048w, https://caro.news/wp-content/uploads/2026/07/20260616_114235-600x450.jpg 600w, https://caro.news/wp-content/uploads/2026/07/20260616_114235-80x60.jpg 80w, https://caro.news/wp-content/uploads/2026/07/20260616_114235-120x90.jpg 120w" sizes="auto, (max-width: 2560px) 100vw, 2560px" /></a></p>
<p class="p1"><span class="s1"><b>By Dominique Heath</b></span></p>
<p class="p2"><span class="s1"><b>Columnist</b></span></p>
<p class="p3"><span class="s1"> BUIES CREEK — Before the first presentation began, attendees filled Campbell University's student union hall exchanging business cards, introducing themselves to different organizations and discussing how they could better serve survivors in their own communities. It was a fitting start for the North Carolina Coalition Against Human Trafficking's (NCCAHT) 2026 Collective Impact Conference, where law enforcement officers, educators, survivor advocates, nonprofit leaders and service providers gathered June 16th with one shared purpose: strengthening North Carolina's response to human trafficking.</span></p>
<p class="p3"><span class="s1"> The conference, held under the theme "When We Unite, Our Impact Multiplies," came as North Carolina continues to face one of the nation's highest rates of reported human trafficking. According to the National Human Trafficking Hotline, North Carolina has consistently ranked among the top 10 states for reported trafficking cases. In 2024 alone, the hotline identified 301 cases involving 580 potential victims, though experts believe the actual number is likely much higher because many cases go unreported.</span></p>
<p class="p3"><span class="s1"> Speakers explained that the state's extensive interstate highway system, international airports, military installations and industries such as agriculture, construction, hospitality and tourism make it especially vulnerable to both labor and sex trafficking. They also challenged common misconceptions, noting that trafficking is rarely the dramatic kidnapping scenarios often portrayed in movies or television. More often, it begins with manipulation—someone exploiting another person's need for housing, employment, financial security or even affection before using force, fraud or coercion to maintain control.</span></p>
<p class="p3"><span class="s1"> The morning session panelists offered a look at how organizations across the state approach different parts of the issue. Whitney Miller of The Invictus Project discussed training professionals to better identify trafficking victims, while Kasin Walker of Safe Alliance focused on investigations and prosecution. Halley Markel of the North Carolina Demand Reduction Task Force turned attention toward prevention, encouraging attendees to become involved before trafficking occurs. She acknowledged that even organizations working toward the same goal face obstacles. During a presentation titled "A Moment for Transparency," attendees discussed challenges such as volunteer engagement, scheduling conflicts and maintaining strong teams, along with practical ways organizations can improve communication and planning. In addition, representatives from Goodwill's Counter Human Trafficking Program shared how they partner with law enforcement officers and community partners for specialized training to recognize indicators of trafficking and connect victims with services sooner.</span></p>
<p class="p3"><span class="s1"> The afternoon keynote shifted the focus from individual organizations to the systems that connect them. Kiricka Yarbough Smith, founder of KYS Consulting Group, introduced attendees to her Collective Impact Framework, using a potluck dinner to explain how organizations can work toward the same objective without duplicating efforts.</span></p>
<p class="p3"><span class="s1"> "A common agenda is the menu. Shared measurement is the table. Mutually reinforcing activities are the signature dishes. Continuous communication is the family group chat, and the backbone organization is the host house," Smith said.</span></p>
<p class="p3"><span class="s1"> Smith reminded attendees that rescue is only one step in a survivor's journey. Long-term recovery depends on access to safe housing, legal assistance, counseling, employment opportunities and trusted advocates. That message was reinforced later in the conference as survivors courageously shared portions of their own experiences, reminding attendees that healing often continues long after someone leaves an exploitative situation.</span></p>
<p class="p3"><span class="s1"> Between presentations, attendees visited the resource expo featuring organizations dedicated to every stage of a survivor's journey, from prevention and legal advocacy to emergency shelter, long-term housing, counseling and employment assistance. The expo gave participants an opportunity to speak directly with service providers, ask questions and learn what resources are available across North Carolina.</span></p>
<p class="p3"><span class="s1"> Coordinated by NCCAHT board members, including Kara Griffin of Catholic Charities Diocese of Charlotte, the expo featured organizations such as Legal Aid of North Carolina, Safe House Project, Shield North Carolina, Fields of Hope, Magnolia Hope, Project LIGHT, Gate Beautiful and Mission to El Salvador. Among the attendees was author John Das, who shared Daughter Arise: A Compelling Book About Redemption, Restoration and Recovery. Das described the book as both an apology to women and a call toward restoration, inspired by the women in his own life. It is a message of choosing healing after trauma that offers another perspective on escaping but also rebuilding a life afterward.</span></p>
<p class="p3"><span class="s1"> Between sessions, attendees learned about important resources they could immediately put into use within their own communities. One resource that drew particular attention was TraffickCam, a free smartphone application that allows travelers to upload photographs of hotel rooms. Investigators compare those images with photos found in online trafficking advertisements, helping identify locations where victims may be exploited.</span></p>
<p class="p3"><span class="s1"> Presenters challenged several common misconceptions about trafficking, reminding attendees that it rarely resembles the kidnappings often portrayed in movies. Victims do not fit a single profile, and many continue attending school, working jobs or interacting with the public while being exploited. Rather than looking for one obvious warning sign, community members were encouraged to recognize patterns such as someone appearing fearful or controlled by another individual, being unable to speak for themselves, lacking possession of identification or personal belongings, appearing malnourished or showing signs they cannot freely leave a workplace or living situation.</span></p>
<p class="p3"><span class="s1"> Those messages were reinforced by survivors who courageously shared portions of their own stories. Their experiences served as powerful reminders that trafficking often begins with manipulation rather than force and that recovery is rarely a single moment of rescue. Instead, healing often requires long-term access to safe housing, counseling, legal advocacy, employment opportunities and a network of trusted people willing to walk alongside survivors as they rebuild their lives.</span></p>
<p class="p3"><span class="s1"> Experts stressed that recognizing those warning signs is only the first step. Members of the public should never attempt to confront a suspected trafficker directly. If someone appears to be in immediate danger, call 911. For non-emergency situations, assistance is available through the confidential National Human Trafficking Hotline, which operates 24 hours a day, seven days a week. Help is available by calling 1-888-373-7888, texting 233733 (BEFREE) or visiting www.humantraffickinghotline.org. Trained advocates can connect victims, survivors and concerned community members with local resources, guidance and support.</span></p>
<p class="p3"><span class="s1">As the conference concluded, one message remained clear: combating human trafficking requires more than awareness. Attendees gained a clearer understanding of what "collective impact" actually means.</span></p>
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		<title>Music, Dance and Spoken Word Bring Juneteenth Celebration to Knightdale</title>
		<link>https://caro.news/music-dance-and-spoken-word-bring-juneteenth-celebration-to-knightdale/</link>
					<comments>https://caro.news/music-dance-and-spoken-word-bring-juneteenth-celebration-to-knightdale/#respond</comments>
		
		<dc:creator><![CDATA[Dominique Heath]]></dc:creator>
		<pubDate>Fri, 19 Jun 2026 15:10:00 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<guid isPermaLink="false">https://caro.news/?p=18342</guid>

					<description><![CDATA[By Dominique Heath Staff Writer KNIGHTDALE, N.C. — Music filled Knightdale Station Park while dancers took the stage, spoken word artists shared stories and residents joined together in celebration during [&#8230;]]]></description>
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<p class="p1"><b>By Dominique Heath</b></p>
<p class="p2"><b>Staff Writer</b></p>
<p class="p3">KNIGHTDALE, N.C. — Music filled Knightdale Station Park while dancers took the stage, spoken word artists shared stories and residents joined together in celebration during the Town of Knightdale's annual African American Festival on June 13.</p>
<p class="p3"><span class="s1">Held in recognition of Juneteenth, the festival transformed the park into a showcase of African American culture through live performances, food, art and community engagement. Despite temperatures climbing into the 90s, families gathered beneath umbrellas and tents throughout the afternoon and evening, settling into lawn chairs as performers took the stage and vendors welcomed visitors.</span></p>
<p class="p3"><span class="s1"> The day's entertainment opened with a performance by the Spade Music Group featuring Joshua Harris, setting the tone for an event centered on artistic expression. Later, spoken word artist Petrina Bryant, known professionally as Trina Thoughtz, captivated attendees with a performance that blended storytelling, reflection and empowerment, demonstrating the enduring role spoken word continues to play within Black cultural traditions.</span></p>
<p class="p3">The celebration of culture extended beyond music and poetry. During the Divine Nine Roll Call hosted by DJ Fatz The Governor, members of historically Black fraternities and sororities proudly stood to represent their organizations. The moment highlighted the legacy of Black Greek-letter organizations and their longstanding contributions to leadership, service and community building.</p>
<p class="p3"><span class="s1"> Dance remained a central part of the festival throughout the evening. Performers from Expressions in Rhythm Studio showcased their talent before an attentive crowd, while a later line dancing session led by Z-Fitness invited attendees to become part of the entertainment themselves. Residents left their seats and gathered near the stage, turning the area into a community dance floor as music played across the park.</span></p>
<p class="p3">The festival also recognized local youth, including members of the Lady Knights football program, whose accomplishments were celebrated before the crowd. The recognition reflected the event's commitment to highlighting the next generation alongside established artists, performers and community leaders.</p>
<p class="p3"><span class="s1">Away from the stage, attendees explored a variety of vendor booths featuring handcrafted products, jewelry, clothing, baked goods, wellness items and specialty beverages. Community organizations and local businesses lined the festival grounds, providing opportunities for residents to learn about local resources while supporting entrepreneurs.</span></p>
<p class="p3"><span class="s1"> Food remained another important part of the celebration. Vendors including Beef Street and a Pig, Devour, Fancy Faye's, Lil's Cheesesteaks, Taste of Baltimore and WaffleDup served a variety of options throughout the day, while frozen treats and lemonade vendors helped festivalgoers stay cool in the summer heat. Long lines formed at several food trucks as attendees sampled offerings between performances.</span></p>
<p class="p3"><span class="s1"> As the evening progressed, the crowd continued to grow in front of the amphitheater stage. Musical performances by Klaxton Brown and headliner Elle Varner brought attendees closer to the stage, closing out a day that showcased the many ways culture can be expressed through music, movement, storytelling and shared experiences.</span></p>
<p class="p3"><span class="s1"> While Juneteenth commemorates the emancipation of enslaved African Americans in the United States, Knightdale's African American Festival demonstrated how that history continues to be honored through living traditions. From spoken word and music to dance and community gathering, the event highlighted the creativity, resilience and cultural contributions that continue to shape communities across North Carolina.</span></p>
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		<title>MudGirl Run 2026 Brings Thousands Together in Raleigh for Strength, Support, and Survivorship</title>
		<link>https://caro.news/mudgirl-run-2026-brings-thousands-together-in-raleigh-for-strength-support-and-survivorship/</link>
					<comments>https://caro.news/mudgirl-run-2026-brings-thousands-together-in-raleigh-for-strength-support-and-survivorship/#respond</comments>
		
		<dc:creator><![CDATA[Dominique Heath]]></dc:creator>
		<pubDate>Wed, 06 May 2026 12:21:00 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<guid isPermaLink="false">https://caro.news/?p=17520</guid>

					<description><![CDATA[By Dominique Heath Columnist Thousands gathered in Raleigh for MudGirl Run 2026, an obstacle mud run that has grown from a grassroots empowerment event into an international movement centered on [&#8230;]]]></description>
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	<p><a href="https://caro.news/wp-content/uploads/2026/05/Screenshot-2026-04-29-at-6.19.05 PM.png"><img loading="lazy" decoding="async" class="size-full wp-image-17523 aligncenter" src="https://caro.news/wp-content/uploads/2026/05/Screenshot-2026-04-29-at-6.19.05 PM.png" alt="" width="684" height="603" srcset="https://caro.news/wp-content/uploads/2026/05/Screenshot-2026-04-29-at-6.19.05 PM.png 684w, https://caro.news/wp-content/uploads/2026/05/Screenshot-2026-04-29-at-6.19.05 PM-300x264.png 300w, https://caro.news/wp-content/uploads/2026/05/Screenshot-2026-04-29-at-6.19.05 PM-600x529.png 600w, https://caro.news/wp-content/uploads/2026/05/Screenshot-2026-04-29-at-6.19.05 PM-68x60.png 68w, https://caro.news/wp-content/uploads/2026/05/Screenshot-2026-04-29-at-6.19.05 PM-102x90.png 102w" sizes="auto, (max-width: 684px) 100vw, 684px" /></a></p>
<p class="p1"><span class="s1"><b>By Dominique Heath</b></span></p>
<p class="p2"><span class="s1"><b>Columnist</b></span></p>
<p class="p3"><span class="s1"> Thousands gathered in Raleigh for MudGirl Run 2026, an obstacle mud run that has grown from a grassroots empowerment event into an international movement centered on resilience, community, and support.</span></p>
<p class="p3"><span class="s1"> Founded with the mission of creating an inclusive event focused less on competition and more on personal strength, MudGirl has expanded across multiple cities and countries, drawing participants from all walks of life. What began as a fitness-centered challenge has evolved into something much larger: a space where women, families, friends, survivors, supporters, and entire communities come together to encourage one another through every obstacle.</span></p>
<p class="p3"><span class="s1"> But what makes MudGirl stand out is that the event is tied to something much deeper than fitness.</span></p>
<p class="p3"><span class="s1"> Through the Pink Army Foundation, MudGirl has expanded its mission to directly support women battling or recovering from breast cancer. The foundation was created through the collective efforts of the MudGirl community and focuses on helping women regain strength both physically and mentally while surrounded by a support system that understands the journey.</span></p>
<p class="p3"><span class="s1"> Launched in May 2025, the program is already supporting fighters across the United States and Canada through personalized guidance, community support, and empowerment-based fitness challenges.</span></p>
<p class="p3"><span class="s1"> One of the foundation’s main initiatives is the PATI Program by Compete for a Cure, which provides personalized physical and mental support tailored to women navigating breast cancer recovery and treatment. Beyond that, the organization focuses heavily on community, creating spaces where women can connect with others who understand the emotional and physical realities of the fight.</span></p>
<p class="p3"><span class="s1"> The foundation also encourages women to challenge themselves physically in ways that help rebuild confidence and remind them of their strength.</span></p>
<p class="p3"><span class="s1"> Since 2017, MudGirl has contributed more than $554,000 toward breast cancer causes. Beginning in 2025, a portion of every MudGirl profit, including 50 percent of spectator ticket sales and proceeds from Pink Army T-shirt sales, began going directly toward supporting the Pink Army Foundation.</span></p>
<p class="p3"><span class="s1"> For many participants in Raleigh, that mission is part of what made the event feel so personal.</span></p>
<p class="p3"><span class="s1"> Among the crowd were survivors celebrating how far they had come, participants honoring those currently in treatment, and others simply wanting to stand in solidarity with people they care about. Despite the muddy obstacle courses and physical challenges, the atmosphere throughout the day felt encouraging and supportive, with participants constantly helping and motivating one another along the course. </span></p>
<p class="p3"><span class="s1"> Also participating was Cary-based gym Aktivate Fitness, a Black and minority-owned boxing and fitness studio known for promoting discipline, confidence, and perseverance through fitness. Representatives and members from the gym took on the woods, mud pits, and obstacle courses alongside hundreds of other runners.</span></p>
<p class="p3"><span class="s1"> As MudGirl continues to grow globally, events like the Raleigh run show why the movement resonates with so many people. It is not simply about finishing an obstacle course. It is about overcoming challenges together, supporting one another through struggle, and celebrating resilience in all its forms.</span></p>
<p class="p3"><span class="s1"> For many participants, the mud eventually washes away. The memories, support, and sense of unity do not.</span></p>
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		<title>NCACC Student Film Festival Celebrates Student Storytelling and Creative Voices Across North Carolina Counties</title>
		<link>https://caro.news/ncacc-student-film-festival-celebrates-student-storytelling-and-creative-voices-across-north-carolina-counties/</link>
					<comments>https://caro.news/ncacc-student-film-festival-celebrates-student-storytelling-and-creative-voices-across-north-carolina-counties/#respond</comments>
		
		<dc:creator><![CDATA[Dominique Heath]]></dc:creator>
		<pubDate>Fri, 01 May 2026 15:00:00 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<guid isPermaLink="false">https://caro.news/?p=17506</guid>

					<description><![CDATA[By Dominique Heath Columnist The North Carolina Association of County Commissioners (NCACC) brought student filmmakers, educators, local leaders and community members together at The Cary Theater for the Second Annual [&#8230;]]]></description>
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	<p><a href="https://caro.news/wp-content/uploads/2026/05/20260425_141132-scaled.jpg"><img loading="lazy" decoding="async" class="alignnone size-full wp-image-17509" src="https://caro.news/wp-content/uploads/2026/05/20260425_141132-scaled.jpg" alt="" width="2560" height="1920" srcset="https://caro.news/wp-content/uploads/2026/05/20260425_141132-scaled.jpg 2560w, https://caro.news/wp-content/uploads/2026/05/20260425_141132-300x225.jpg 300w, https://caro.news/wp-content/uploads/2026/05/20260425_141132-1024x768.jpg 1024w, https://caro.news/wp-content/uploads/2026/05/20260425_141132-768x576.jpg 768w, https://caro.news/wp-content/uploads/2026/05/20260425_141132-1536x1152.jpg 1536w, https://caro.news/wp-content/uploads/2026/05/20260425_141132-2048x1536.jpg 2048w, https://caro.news/wp-content/uploads/2026/05/20260425_141132-600x450.jpg 600w, https://caro.news/wp-content/uploads/2026/05/20260425_141132-80x60.jpg 80w, https://caro.news/wp-content/uploads/2026/05/20260425_141132-120x90.jpg 120w" sizes="auto, (max-width: 2560px) 100vw, 2560px" /></a></p>
<p class="p1"><b>By Dominique Heath</b></p>
<p class="p2"><b>Columnist</b></p>
<p class="p3">The North Carolina Association of County Commissioners (NCACC) brought student filmmakers, educators, local leaders and community members together at The Cary Theater for the Second Annual NCACC 100 Strong Productions Student Film Festival, a statewide event centered around storytelling, local history and community impact through film.</p>
<p class="p3">Hosted by NCACC’s documentary division, 100 Strong Productions, the festival gave students from counties across North Carolina an opportunity to showcase their work across county lines while sharing stories unique to their own communities. The event featured filmmaking workshops, keynote presentations, student film screenings, filmmaker discussions and an awards ceremony celebrating young creators from across the state.</p>
<p class="p3">The North Carolina Association of County Commissioners represents all 100 counties across the state, working to strengthen county government through advocacy, education, leadership development and collaboration between counties. Organizers throughout the festival emphasized that county government is often the closest level of government to residents, shaping daily life through schools, roads, parks, health services and community programs.</p>
<p class="p3">“County government is the level of government closest to home,” Chris Baucom, Director of 100 Strong Productions said during the festival. “It shapes your schools, your roads, your parks and the services that your family uses every day.”</p>
<p class="p3"><a href="https://caro.news/wp-content/uploads/2026/05/20260425_105455-scaled.jpg"><img loading="lazy" decoding="async" class="wp-image-17510 alignleft" src="https://caro.news/wp-content/uploads/2026/05/20260425_105455-scaled.jpg" alt="" width="296" height="395" srcset="https://caro.news/wp-content/uploads/2026/05/20260425_105455-scaled.jpg 1920w, https://caro.news/wp-content/uploads/2026/05/20260425_105455-225x300.jpg 225w, https://caro.news/wp-content/uploads/2026/05/20260425_105455-768x1024.jpg 768w, https://caro.news/wp-content/uploads/2026/05/20260425_105455-1152x1536.jpg 1152w, https://caro.news/wp-content/uploads/2026/05/20260425_105455-1536x2048.jpg 1536w, https://caro.news/wp-content/uploads/2026/05/20260425_105455-600x800.jpg 600w, https://caro.news/wp-content/uploads/2026/05/20260425_105455-45x60.jpg 45w, https://caro.news/wp-content/uploads/2026/05/20260425_105455-68x90.jpg 68w" sizes="auto, (max-width: 296px) 100vw, 296px" /></a>100 Strong Productions was created in 2021 as the storytelling and documentary production arm of NCACC with the mission of documenting the people, issues and experiences shaping North Carolina counties through film.</p>
<p class="p3">“This team was built with a clear mission to explore important topics, to shine a light on the unique stories from across North Carolina’s 100 counties through the art of documentary filmmaking,” one speaker shared during the opening presentation.</p>
<p class="p3">Since its creation, the production company has produced documentaries exploring issues such as food resiliency, veteran services, workforce shifts and the impacts of Hurricane Helene. Organizers explained that the student film festival expands that mission by encouraging young filmmakers to document stories from their own communities and experiences.</p>
<p class="p3">Brielle Barozzini, production coordinator for NCACC 100 Strong Productions, welcomed attendees and thanked students, families, The Cary Theater and NCACC staff for helping bring the festival together after nearly a year of planning. Barozzini said the festival was designed not only to celebrate student creativity, but also to give young filmmakers the opportunity to learn from industry professionals while sharing stories rooted in their own communities.</p>
<p class="p3">“We want to tell stories that aren’t told by other production companies. The whole purpose is to tell the stories of North Carolina counties from a different perspective.”</p>
<h3 class="p4">Blake Kinsey Workshop Encourages Young Filmmakers</h3>
<p class="p3">The day began with a filmmaking workshop titled Making Your First Short Film, led by Durham filmmaker Blake Kinsey, founder of Back Porch Films.</p>
<p class="p3">Kinsey, a graduate of Western Carolina University whose films have appeared in several independent film festivals, spoke candidly with students about the realities of filmmaking and the importance of preparation, collaboration and flexibility throughout the production process.</p>
<p class="p3">Throughout the workshop, Kinsey broke filmmaking into three major stages: pre-production, production and post-production. He explained how planning, scheduling and organization often determine whether a project runs smoothly once filming begins.</p>
<p class="p3">He described production as “organized chaos,” while emphasizing the importance of backup plans and adaptability during filming.</p>
<p class="p3">Kinsey also challenged students to stop viewing filmmaking as something inaccessible or reserved for large studios. Instead, he encouraged attendees to work creatively with the resources available to them, whether that meant using phones, local businesses, public spaces or family and friends as part of productions.</p>
<p class="p3">The workshop also stressed teamwork and communication, with Kinsey explaining that filmmaking is one of the most collaborative forms of storytelling. Students were encouraged to remain open to learning while also staying committed to the stories they wanted to tell.</p>
<p class="p3">“Stay true to your vision. Don’t compromise if it will dim the final product.”</p>
<h3 class="p4">Deborah Holt Noel Reflects on Storytelling and Legacy</h3>
<p class="p3">Following an afternoon intermission, attendees returned for a keynote presentation from Deborah Holt Noel, executive producer of Black Issues Forum and host of PBS NC’s Emmy-nominated North Carolina Weekend.</p>
<p class="p3">Noel’s presentation, titled The Work of Storytelling, became one of the emotional centerpieces of the festival as she reflected on her decades-long career in journalism and documentary filmmaking.</p>
<p class="p3">Speaking directly to students, Noel described the fear and uncertainty she experienced early in her filmmaking career while pursuing a graduate degree in television production at the University of Maryland. She recalled moments of self-doubt where she questioned whether she belonged in the industry at all.</p>
<p class="p3">“I felt this suffocating silence,” Noel said while describing an empty production building after class. “I was feeling like, ‘Why am I here? I made a mistake. I should stay where I was because I don’t belong here.’”</p>
<p class="p3">Noel explained that her perspective changed while creating a documentary about her own family’s role in integrating Raleigh public schools. The film, Exhausted Remedies: The Joe Holt Story, focused on her father and her family’s civil rights history in North Carolina.</p>
<p class="p3">At the time, Noel said she worried nobody would care about the story or understand its importance.</p>
<p class="p3">“I spent so much time worrying about whether the story was good enough,” she said. “And somewhere along the way, I realized that wasn’t my job. My job was to tell the story as truthfully as possible.”</p>
<p class="p3">The documentary would later help preserve and elevate her family’s legacy in Raleigh history through public recognition, historical markers and community remembrance connected to her father’s story.</p>
<p class="p3">Throughout her keynote, Noel emphasized that storytelling is not about the filmmaker’s ego, but about listening carefully and honoring the experiences of the people willing to trust someone with their story.</p>
<p class="p3">“When someone trusts you with their story, that matters,” Noel told attendees. “It’s about listening and it’s about care.”</p>
<p class="p3">She also encouraged students not to dismiss local or personal stories because they may initially seem small.</p>
<p class="p3">“You don’t know whose life can be changed as a result of you giving it some air and giving it some light,” she said.</p>
<h3 class="p4">Student Films Highlight Community Stories Across North Carolina</h3>
<p class="p3">The centerpiece of the festival was the screening of eight student-produced films from counties across North Carolina. Together, the projects explored themes including economic development, natural disasters, food insecurity, immigration, history, public service and community resilience.</p>
<p class="p3">One of the opening films, <i>Economic Growth</i> from Johnston County, was created by Tyler Goodson, Lucien Rattray and Kamarri Justice. The documentary explored the direction and expansion of Johnston County while examining how growth is reshaping the county’s future and identity.</p>
<p class="p3">Johnston County was featured again in <i>The Hands That Built Our Homes</i>, created by Nolan Fox, Damien Marte and Joshua Hodges. Told partly through the perspective of a county commissioner, the documentary explored the rapid development of the county while focusing on the labor, leadership and planning involved in building growing communities.</p>
<p class="p3">One of the festival’s most emotional films was <i>Heart of Rock </i>by Rutherford County filmmakers Nikhil Mehta and Grant Sizemore. The documentary centered around Hurricane Helene and the devastation experienced by residents in the aftermath of the storm. Through interviews and community footage, the filmmakers documented both heartbreak and resilience as neighbors worked together to rebuild homes, businesses and their lives.</p>
<p class="p3">Wake County student Eva Awasthi, one of the youngest filmmakers featured at the festival, explored food insecurity among students in <i>Helping the Hungry: Food Insecurity Among Students in the Wake County Public School System</i>. The documentary examined the realities many students face when access to food is uncertain while also highlighting the importance of school meal programs and public health initiatives. The film focused not only on hunger itself, but also on how food insecurity affects students emotionally, academically and socially.</p>
<p class="p3"><i>Highway 251</i> by Buncombe County filmmakers Grace Ellen Callihan and Brooke Darby served as both a documentary and a public safety message focused on cyclist safety. The film was created following a devastating accident that killed cyclists Jake Hill and Lennie Antonelli while seriously injuring Griffin Tichenor. Through interviews and reflective storytelling, the filmmakers urged viewers to prioritize cyclist safety and remain aware of the dangers cyclists face on North Carolina roads.</p>
<p class="p3">Johnston County students Evelyn Pascucci and James Anderson highlighted innovation and youth opportunity in <i>Robotics</i>, a documentary centered around the importance of robotics programs and clubs for students interested in engineering, technology and future career opportunities.</p>
<p class="p3">One of the festival’s most historically ambitious projects was <i>The Story of George Moses Horton</i> by Chatham County filmmaker Jordan Wiley. The film explored the life of George Moses Horton, an enslaved North Carolina poet who became one of the first published Black authors in the South. Through historical reenactments and storytelling, the documentary brought Horton’s legacy to life while educating audiences on a figure often overlooked in mainstream history discussions.</p>
<p class="p3">The final featured film, <i>Against The Flames</i> by Mecklenburg County filmmaker Lana Butler, told the deeply personal story of a Vietnamese family that immigrated to the United States during the height of communism after finding refuge through an American missionary church. The documentary centered<span class="Apple-converted-space">  </span>around a mother who postponed her dream of becoming a firefighter while raising her children before eventually becoming a firefighter engineer 14 years later. Told through the eyes of her daughter, the film explored sacrifice, immigration, public service and family legacy while highlighting the family’s commitment to giving back to the community that welcomed them.</p>
<p class="p3">Following the screenings, students participated in a filmmaker Q&amp;A session where audience members asked about editing software, filming techniques, storytelling approaches and the challenges of documenting real-life experiences.</p>
<p class="p3">Among those attending the festival was Alex Melendez, founder of The GRID — Groundwork, Resilience, Innovation, Drive — a nonprofit organization committed to empowering youth from inner cities through mentorship, education, discipline and opportunity.</p>
<p class="p3">“Attending the 100 Strong Productions Student Film Festival was an incredible experience,” Meledez said. “I was genuinely impressed by the students’ presentations, their creativity, growth and the level of skill they displayed through film. It was inspiring to see young talent develop their voices and tell meaningful stories, and the educators behind them deserve recognition for helping cultivate that potential.”</p>
<p class="p3">As a New York native who has only lived in North Carolina for a few years, Melendez said the festival also deepened his appreciation and understanding of the state itself.</p>
<p class="p3">“Beyond the event itself, I also walked away learning more about North Carolina,” he said. “This state continues to amaze me — the culture, the sense of community, the diversity, the politics and especially its deep history. Coming from the North, where my perspective was shaped by a different lens, it was eye-opening to better understand the divisions, systems and historical realities that still connect to the present day. I appreciate having the opportunity to learn more about the state I now call home.”</p>
<p class="p3">As the festival continues to grow, organizers hope it will eventually expand beyond North Carolina while still maintaining its focus on community-centered storytelling. Brielle Barozzini said she envisions the NCACC 100 Strong Productions Student Film Festival becoming a nationwide platform where young filmmakers from across the country can share stories, showcase their work across state lines and connect with one another through film and storytelling.</p>
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		<title>What Sexual Assault Awareness Month Really Demands of Us</title>
		<link>https://caro.news/what-sexual-assault-awareness-month-really-demands-of-us/</link>
					<comments>https://caro.news/what-sexual-assault-awareness-month-really-demands-of-us/#respond</comments>
		
		<dc:creator><![CDATA[Dominique Heath]]></dc:creator>
		<pubDate>Fri, 17 Apr 2026 22:38:00 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<guid isPermaLink="false">https://caro.news/?p=17248</guid>

					<description><![CDATA[By Dominique Heath Guest Columnist Each April, Sexual Assault Awareness Month returns with a familiar call to attention. Teal ribbons appear, statistics are shared, and conversations begin to surface again. [&#8230;]]]></description>
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	<p><a href="https://caro.news/wp-content/uploads/2026/04/SHEKEYCHAINS_.png"><img loading="lazy" decoding="async" class="alignnone size-full wp-image-17251" src="https://caro.news/wp-content/uploads/2026/04/SHEKEYCHAINS_.png" alt="" width="1536" height="1024" srcset="https://caro.news/wp-content/uploads/2026/04/SHEKEYCHAINS_.png 1536w, https://caro.news/wp-content/uploads/2026/04/SHEKEYCHAINS_-300x200.png 300w, https://caro.news/wp-content/uploads/2026/04/SHEKEYCHAINS_-1024x683.png 1024w, https://caro.news/wp-content/uploads/2026/04/SHEKEYCHAINS_-768x512.png 768w, https://caro.news/wp-content/uploads/2026/04/SHEKEYCHAINS_-600x400.png 600w, https://caro.news/wp-content/uploads/2026/04/SHEKEYCHAINS_-90x60.png 90w, https://caro.news/wp-content/uploads/2026/04/SHEKEYCHAINS_-135x90.png 135w" sizes="auto, (max-width: 1536px) 100vw, 1536px" /></a></p>
<p class="p1"><b>By Dominique Heath</b></p>
<p class="p2"><b>Guest Columnist</b></p>
<p class="p3">Each April, Sexual Assault Awareness Month returns with a familiar call to attention. Teal ribbons appear, statistics are shared, and conversations begin to surface again.</p>
<p class="p3">But awareness, in practice, is often misunderstood.</p>
<p class="p3">According to the Rape, Abuse &amp; Incest National Network, an American is sexually assaulted every 68 seconds. Nationally, 1 in 5 women and 1 in 6 men experience sexual violence in their lifetime. Globally, the numbers are even more staggering, with an estimated 1 in 3 women experiencing some form of violence.</p>
<p class="p3">These statistics are widely shared and widely differ upon specific studies. But what often gets lost is what comes after the numbers.</p>
<p class="p3">Awareness is not just knowing that sexual violence exists. It is understanding how it shows up in everyday life, recognizing the subtle moments that often go ignored, and being prepared to respond to them.</p>
<p class="p3">It is also understanding who is most impacted, and who is often left without adequate support.</p>
<p class="p4"><strong>A Crisis That Extends Beyond Borders</strong></p>
<p class="p3">For some communities, sexual violence is not only prevalent, but deeply under-resourced.</p>
<p class="p3">Organizations like the Panzi Foundation have spent years addressing what has been widely recognized as a humanitarian crisis in the Democratic Republic of the Congo. In a region where sexual violence has been used as a weapon of conflict, the need for care extends far beyond immediate response.</p>
<p class="p3">The Panzi Foundation provides holistic support to survivors, including medical treatment, trauma counseling, legal advocacy, and economic empowerment. Their work is not short-term. It is long-term, layered, and necessary.</p>
<p class="p3">Despite the scale of the crisis, organizations like the Panzi Foundation often operate with limited visibility and support. Their work continues because the need is critical.</p>
<p class="p4"><strong>The Importance of Community-Based Support</strong></p>
<p class="p3">In the United States, support systems also vary widely depending on access, awareness, and trust.</p>
<p class="p3">National organizations like National Organization for Victim Assistance and Futures Without Violence provide advocacy, education, and resources at a broad level. At the same time, community-based organizations play an equally critical role.</p>
<p class="p3">Groups such as The Women's Center of Wake County and Black Women's Blueprint focus on localized, culturally informed support, ensuring that survivors are not only heard, but understood within the context of their lived experiences.</p>
<p class="p3">For many Black communities, addressing sexual violence comes with additional barriers. Historical distrust in systems, cultural expectations around privacy, and the pressure to protect community spaces can make it more difficult for survivors to speak openly.</p>
<p class="p3">But silence does not protect communities. Access to informed, culturally competent support does.</p>
<p class="p4"><strong>More Than Awareness: A Daily Practice of Safety</strong></p>
<p><figure id="attachment_17253" aria-describedby="caption-attachment-17253" style="width: 237px" class="wp-caption alignleft"><img loading="lazy" decoding="async" class="wp-image-17253" src="https://caro.news/wp-content/uploads/2026/04/DOMINIQUE.png" alt="" width="237" height="260" srcset="https://caro.news/wp-content/uploads/2026/04/DOMINIQUE.png 1024w, https://caro.news/wp-content/uploads/2026/04/DOMINIQUE-273x300.png 273w, https://caro.news/wp-content/uploads/2026/04/DOMINIQUE-933x1024.png 933w, https://caro.news/wp-content/uploads/2026/04/DOMINIQUE-768x843.png 768w, https://caro.news/wp-content/uploads/2026/04/DOMINIQUE-600x659.png 600w, https://caro.news/wp-content/uploads/2026/04/DOMINIQUE-55x60.png 55w, https://caro.news/wp-content/uploads/2026/04/DOMINIQUE-82x90.png 82w" sizes="auto, (max-width: 237px) 100vw, 237px" /><figcaption id="caption-attachment-17253" class="wp-caption-text">Dominique heath, owner of She Keychains</figcaption></figure></p>
<p class="p3">While many organizations focus on response and recovery, others are working to shift how people think about safety before harm occurs.</p>
<p class="p3">Some organizations, like She Keychains, approach safety as a daily practice rather than a reaction. Through consistent educational videos on social media and accessible tools, they emphasize that awareness is not about fear, but about preparation.</p>
<p class="p3">Dominique Heath, owner of She Keychains, Columnist, and an advocate who has worked alongside organizations such as The Women’s Center of Wake County, has built her platform around this idea. Through daily videos and educational content, she shares practical safety tips that encourage people to be more intentional in how they move through the world.</p>
<p class="p3">Her approach centers on the idea that safety is not a single moment, but a series of habits built over time.</p>
<p class="p4"><strong>Q&amp;A</strong></p>
<p class="p3"><strong>Q: What does awareness actually mean outside of statistics?</strong></p>
<p class="p3">A: Awareness is not passive. It’s something you practice daily. It’s how you move, how you observe, and how you make decisions in real time. It’s understanding that familiarity does not equal safety, and that your environment is always giving you information. The difference is whether or not you’re paying attention to it.</p>
<p class="p3"><strong>Q: Why do so many situations go unrecognized or unspoken?</strong></p>
<p class="p3">A: Because we are conditioned to minimize discomfort. From a young age, people are taught to question themselves before they question a situation. We normalize behavior that should be addressed, and we silence ourselves to keep things “comfortable.” On top of that, many people don’t feel safe speaking up, especially when the situation involves someone they know. So instead of being acknowledged, it gets internalized.</p>
<p class="p3"><strong>Q: What are some everyday signs people should pay attention to?</strong></p>
<p class="p3">A: Your instincts will always recognize something before your logic does. That feeling when something shifts, when someone gets too close, when a situation feels off, that matters. I always tell people to pay attention to patterns, proximity, and pressure. If someone is rushing you, isolating you, or making you feel unsure of yourself, those are signs. Awareness is about recognizing those moments early, not after something escalates.</p>
<p class="p3"><strong>Q: How can someone learn to trust their instincts?</strong></p>
<p class="p3">A: You have to unlearn the habit of self-doubt. Especially for women, we are taught to prioritize being agreeable over being safe. That conditioning can override our natural instincts. Trusting yourself means accepting that your body is responding for a reason, even if you can’t fully explain it yet. Remember, you do not need permission to remove yourself from a situation that feels wrong.</p>
<p class="p3"><strong>Q: What should someone do if they or someone they know experiences sexual violence?</strong></p>
<p class="p3">A: The first priority is safety, always. Get out of the situation and into a secure environment where you are no longer in immediate danger. From there, it’s important to connect with support, whether that’s someone you trust or an organization that is equipped to help guide you through what comes next.</p>
<p class="p3">If possible, preserving evidence can be important, even though it can feel uncomfortable. Avoid changing clothes, showering, or cleaning the area until you’ve had the option to receive medical care, because those steps can impact what can be documented later. Seeking medical attention not only protects your health, but also gives you access to trained professionals who understand how to handle these situations with care.</p>
<p class="p3">It’s also important to understand that you have legal options. Connecting with a legal advocate can help you understand your rights, walk you through reporting if you choose to, and support you in making informed decisions without pressure. Some people choose to contact the police, especially if they want to document the incident or pursue legal action, while others may take time before deciding. There is no single “right” timeline, but having that report can be important for both your protection and justice.</p>
<p class="p3">Most importantly, no one should have to navigate any of this alone. There are people and organizations whose role is to support you through every step, at your pace, in a way that prioritizes your safety and your voice.</p>
<p class="p3"><strong>Q: Why is it important to know resources before they are needed?</strong></p>
<p class="p3">A: Because in a moment of crisis, you’re not thinking clearly. You’re trying to process what just happened. If you already know where to go, who to call, or what organizations exist, you remove one layer of stress in an already overwhelming situation. Preparation is not about expecting something to happen, it’s about not being left without options if it does.</p>
<p class="p3"><strong>Q: What role do organizations play in this process?</strong></p>
<p class="p3">A: Organizations ARE essential. They provide structure, advocacy, and care that most people would not be able to access on their own. They understand the systems, they provide resources, and they create a pathway for healing that extends beyond the immediate moment. This is not something individuals should have to figure out alone, and these organizations exist to make sure they don’t have to.</p>
<p class="p3"><strong><span class="s1"> Q: Why can it be more difficult for Black communities to address sexual violence openly?</span></strong></p>
<p class="p3">A: There is a complex history behind it, and it didn’t start with us. There is a long-standing, justified distrust in systems like law enforcement and the legal system, where Black people have historically not been protected, and in many cases, have been further harmed. That reality shapes how people respond to situations involving harm, especially when it comes to reporting.</p>
<p class="p3">At the same time, there is a strong culture of protecting our own. In many Black communities, there is an unspoken pressure to handle things privately, to not “bring attention” to the community, or to not contribute to harmful stereotypes. That can make it incredibly difficult for survivors to speak up, especially when the person who caused harm is someone known, respected, or connected.</p>
<p class="p3">There is also a history of Black women, in particular, not being believed, not being protected, and being forced to carry both racial and gendered burdens at the same time. That has created a reality where many people feel like speaking up won’t lead to support, or worse, could lead to further harm.</p>
<p class="p3">But the truth is, silence does not protect us. It allows harm to continue. We cannot build stronger communities by ignoring what is happening within them. Accountability and support have to exist at the same time. Survivors should not have to choose between speaking up and protecting their community, and creating spaces where both can exist is part of the work that still needs to be done.</p>
<p class="p3"><strong>Q: How can friends, family, or communities better support survivors?</strong></p>
<p class="p3">A: Support starts with belief. Not interrogation, not doubt, not minimizing. Just belief. The way you respond in that first moment matters more than people realize. If someone has the courage to say something, they are already taking a risk. How you react can either make them feel supported or make them shut down completely.</p>
<p class="p3"><span class="s1"> From there, it’s about being present without trying to control the situation. You don’t have to have all the answers, and you don’t need to force someone into a decision. What you can do is listen, respect their pace, and help connect them to resources when they’re ready. That might look like helping them find a support organization, offering to go with them to get medical care, or simply checking in consistently so they know they’re not alone.</span></p>
<p class="p3">It also means being aware of how your words and actions impact them. Avoid asking questions that feel like blame, even unintentionally. Avoid trying to “fix” it too quickly. Support is not about solving the situation, it’s about standing with someone as they navigate it.</p>
<p class="p3"><strong>Q: What does a safe environment actually look like?</strong></p>
<p class="p3">A: A safe environment is not just physical, it’s emotional. It’s a space where someone can speak openly without fear of being dismissed, blamed, or embarrassed. It’s built through consistency, trust, and accountability. Safety is not something you say, it’s something you demonstrate.</p>
<p class="p3"><strong>Q: What does everyday safety look like beyond self-defense tools?</strong></p>
<p class="p3">A: Safety is built through habits. It’s not something you suddenly think about when something feels off, it’s how you move every day. It’s being aware of your surroundings, actually paying attention to who and what is around you, and not just assuming you’re safe because something feels familiar. It’s communicating your plans, sharing your location when needed, and taking those extra few seconds to notice your environment. Small things like knowing where your exits are or not allowing yourself to be easily cornered can make a real difference.</p>
<p class="p3">At the same time, it’s about how you prepare yourself. Staying physically capable, understanding how your body moves, and being able to react without hesitation matters more than people realize. Self-defense tools can help, but they are not the foundation. The foundation is how you think and how you move. It’s trusting your instincts, being willing to act on them, and carrying yourself with intention.</p>
<p class="p3"><strong>Q: What are small habits people can build to feel more prepared?</strong></p>
<p class="p3">A: Start with being present. Take intentional moments throughout your day to observe your surroundings. Notice who is around you, where your exits are, and what feels different. A lot of people move through spaces without really taking anything in, and that’s where awareness starts to slip.</p>
<p class="p3">What I like to do, and I know it’s not always the healthiest thing, is think through different scenarios and ask myself what I would do if something happened. That can be as simple as, “If I was walking to my car and someone approached me, what’s my next move?” or “If I’m in an unfamiliar building, how would I get out quickly?” Even thinking about where you’d go if you needed help or how you’d create distance in a situation helps train your mind to respond instead of freeze. It’s not about living in fear, it’s about being familiar with your options before you ever need them.</p>
<p class="p3"><strong>Q: How do you balance awareness without living in fear?</strong></p>
<p class="p3">A: Awareness is not fear. It’s control. It allows you to move through the world with confidence because you’re prepared.</p>
<p class="p3">It’s remembering that you can enjoy your life and still be mindful. The world can feel safe and still be unpredictable. Awareness is being present, trusting yourself, and knowing that if something shifts, you can respond without hesitation.</p>
<p class="p3"><strong>Q: Why is it important for your work to include giving back to organizations like The Women’s Center and The Panzi Foundation?</strong></p>
<p class="p3">A: Because this issue does not end after a moment. Sexual violence has long-term effects that impact every part of a person’s life. Organizations like these are doing the work that continues long after the initial harm. They provide real support, real resources, and real pathways forward. Supporting them is not optional, it is necessary if we want to see change.</p>
<p class="p3">That commitment to action is not just something we speak on, it is something we practice. In honor of Sexual Assault Awareness Month, She Keychains will be donating 10% of all April sales to the Panzi Foundation, supporting their ongoing work providing care, advocacy, and long-term resources to survivors in the Democratic Republic of the Congo. For more information, visit <a href="http://www.shekeychains.com">www.shekeychains.com</a>, or reach out directly at <a href="mailto:shekeychains@gmail.com">shekeychains@gmail.com</a>.</p>
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		<title>The Carolina Theatre Turns Ninety-Nine</title>
		<link>https://caro.news/the-carolina-theatre-turns-ninety-nine/</link>
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		<dc:creator><![CDATA[Dominique Heath]]></dc:creator>
		<pubDate>Mon, 03 Mar 2025 14:00:00 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<guid isPermaLink="false">https://caro.news/?p=10944</guid>

					<description><![CDATA[By: Dominique Heath, Guest Columnist For nearly a century, the Carolina Theatre has been a central part of Durham’s cultural landscape. However, beyond its role as an entertainment hub, the [&#8230;]]]></description>
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	<p><a href="https://caro.news/wp-content/uploads/2025/03/e252_600_1440x810.png"><img loading="lazy" decoding="async" class="alignnone size-full wp-image-10946" src="https://caro.news/wp-content/uploads/2025/03/e252_600_1440x810.png" alt="" width="1440" height="810" srcset="https://caro.news/wp-content/uploads/2025/03/e252_600_1440x810.png 1440w, https://caro.news/wp-content/uploads/2025/03/e252_600_1440x810-300x169.png 300w, https://caro.news/wp-content/uploads/2025/03/e252_600_1440x810-1024x576.png 1024w, https://caro.news/wp-content/uploads/2025/03/e252_600_1440x810-768x432.png 768w, https://caro.news/wp-content/uploads/2025/03/e252_600_1440x810-600x338.png 600w, https://caro.news/wp-content/uploads/2025/03/e252_600_1440x810-107x60.png 107w, https://caro.news/wp-content/uploads/2025/03/e252_600_1440x810-160x90.png 160w" sizes="auto, (max-width: 1440px) 100vw, 1440px" /></a></p>
<p><b>By: Dominique Heath, </b><b>Guest Columnist</b></p>
<p>For nearly a century, the Carolina Theatre has been a central part of Durham’s cultural landscape. However, beyond its role as an entertainment hub, the theater also played a pivotal role in the Civil Rights Movement. During the 1960s, as a city-owned institution, it became a battleground for the fight against segregation, with local activists challenging discriminatory policies and paving the way for integration.</p>
<p><strong>A Segregated Institution</strong></p>
<p>When the Carolina Theatre opened as the Durham Auditorium in 1926, it quickly became a venue for major cultural events, drawing performances from national artists such as Marian Anderson and Tallulah Bankhead. However, like many theaters in the South, it operated under Jim Crow laws, restricting Black patrons to the balcony while white patrons occupied the main floor.</p>
<p>Even as the theater was remodeled in 1929 and renamed The Carolina, these segregationist policies persisted, reflecting the broader racial injustices of the era. Black moviegoers were forced to use separate entrances and restrooms, a practice that continued into the 1960s despite growing calls for change.</p>
<p><strong>The Civil Rights Movement Reaches The Carolina</strong></p>
<p>By the early 1960s, Durham had become a hotspot for civil rights activism, and the Carolina Theatre found itself at the center of the struggle. As a publicly funded institution, activists argued that it had no right to continue enforcing segregation. Leading the charge was attorney Floyd B. McKissick, alongside youth leaders from the National Association for the Advancement of Colored People (NAACP), including John Edwards, Vivian McCoy, and Walter Riley.</p>
<p>In March 1962, these activists launched “Round Robin” protests, a form of nonviolent resistance where Black patrons would repeatedly approach the whites-only ticket window, get denied service, and then rejoin the line to demand entry again. These protests drew national attention and placed immense pressure on city leaders to take action.</p>
<p><strong>Breaking the Barriers</strong></p>
<p>The tide began to turn in 1963 with the election of Wense Grabarek as mayor. Acknowledging the growing movement, Grabarek worked to persuade the Carolina Theatre’s management to integrate. In July 1963, the theater officially ended segregation—two months before Dr. Martin Luther King Jr.’s iconic “I Have a Dream” speech and nearly a year before the Civil Rights Act of 1964 mandated desegregation nationwide.</p>
<p>This victory at the Carolina Theatre was a landmark moment in Durham’s civil rights history. It demonstrated the power of grassroots activism and set a precedent for other businesses and public spaces to follow suit.</p>
<p>In the 1980s, during a major restoration, the Carolina Theatre uncovered the hidden segregated balcony, serving as a powerful reminder of its past. The theater’s journey from segregation to integration highlights the resilience of Durham’s civil rights activists. Today, the Carolina Theatre remains a cultural landmark, celebrating its history and continuing to foster inclusivity as it marks its 99th year.</p>
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		<title>The February 28 ‘Blackout’</title>
		<link>https://caro.news/the-february-28-blackout/</link>
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		<dc:creator><![CDATA[Dominique Heath]]></dc:creator>
		<pubDate>Wed, 26 Feb 2025 17:44:51 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<guid isPermaLink="false">https://caro.news/?p=10915</guid>

					<description><![CDATA[By: Dominique Heath &#124; Guest Columnist On February 28, 2025, a nationwide economic blackout is planned, urging consumers to refrain from making any purchases from major retailers such as Amazon, [&#8230;]]]></description>
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<p><b>By: Dominique Heath | </b><b>Guest Columnist</b></p>
<p>On February 28, 2025, a nationwide economic blackout is planned, urging consumers to refrain from making any purchases from major retailers such as Amazon, Walmart, and Best Buy. This initiative, led by The People’s Union, aims to protest recent rollbacks in diversity, equity, and inclusion (DEI) programs by these corporations. Participants are encouraged to avoid spending money not only at these retailers but also at fast-food chains and other large corporations, both online and in-store.</p>
<p>The movement has garnered support from various activist groups. For instance, civil rights leader Dolores Huerta is advocating for the “Latino Freeze,” encouraging Latinos to stop shopping at big stores and restaurant chains like Target, Walmart, and McDonald’s in response to their recent DEI rollbacks. Huerta emphasized, “If you don’t respect our community, then you shouldn’t have our dollars.”</p>
<p>However, some Black-owned brands and entrepreneurs are urging consumers not to boycott certain retailers, such as Target, despite the retailer’s decision to end its DEI efforts. They argue that a boycott could harm minority-owned businesses by decreasing sales and visibility of their products in these stores. Entrepreneurs like April Showers, founder and CEO of Afro Unicorn, emphasize the importance of strategic spending to ensure their products remain available to a wide audience.<span class="Apple-converted-space"> </span></p>
<p>This planned economic blackout reflects a broader trend of consumer activism in response to corporate decisions affecting DEI initiatives. As the date approaches, it remains to be seen how widespread participation will be and what impact it may have on the targeted retailers and the broader conversation around corporate responsibility and inclusivity.</p>
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		<title>Could Black Project 2025 Be The Next Move Against Political Regression?</title>
		<link>https://caro.news/could-black-project-2025-be-the-next-move-against-political-regression/</link>
					<comments>https://caro.news/could-black-project-2025-be-the-next-move-against-political-regression/#respond</comments>
		
		<dc:creator><![CDATA[Dominique Heath]]></dc:creator>
		<pubDate>Thu, 21 Nov 2024 22:04:00 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<guid isPermaLink="false">https://caro.news/?p=9915</guid>

					<description><![CDATA[By Dominique Heath Guest Columnist While Project 2025 has been at the forefront of discussions, another movement has gained traction amongst many Black Americans on social media: Black Project 2025. [&#8230;]]]></description>
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	<p><a href="https://caro.news/wp-content/uploads/2024/11/84065127_1731393517506286_r.tif"><img decoding="async" class="alignnone size-full wp-image-9917" src="https://caro.news/wp-content/uploads/2024/11/84065127_1731393517506286_r.tif" alt="" /></a><a href="https://caro.news/wp-content/uploads/2024/11/84065127_1731393517506286_r.webp"><img loading="lazy" decoding="async" class="size-full wp-image-9921 aligncenter" src="https://caro.news/wp-content/uploads/2024/11/84065127_1731393517506286_r.webp" alt="" width="720" height="405" srcset="https://caro.news/wp-content/uploads/2024/11/84065127_1731393517506286_r.webp 720w, https://caro.news/wp-content/uploads/2024/11/84065127_1731393517506286_r-300x169.webp 300w, https://caro.news/wp-content/uploads/2024/11/84065127_1731393517506286_r-600x338.webp 600w, https://caro.news/wp-content/uploads/2024/11/84065127_1731393517506286_r-107x60.webp 107w, https://caro.news/wp-content/uploads/2024/11/84065127_1731393517506286_r-160x90.webp 160w" sizes="auto, (max-width: 720px) 100vw, 720px" /></a><a href="https://caro.news/wp-content/uploads/2024/11/84065127_1731393517506286_r-1.tif"><img decoding="async" class="alignnone size-full wp-image-9918" src="https://caro.news/wp-content/uploads/2024/11/84065127_1731393517506286_r-1.tif" alt="" /></a></p>
<p><b>By Dominique Heath</b></p>
<p class="p2"><b>Guest Columnist</b></p>
<p class="p3"><span class="s1"> While Project 2025 has been at the forefront of discussions, another movement has gained traction amongst many Black Americans on social media: Black Project 2025. This transformative movement is aiming to address concerns surrounding the potential implications of Project 2025, as proposed by The Heritage Foundation. With the possibility of Donald Trump’s second presidential term, Black Project 2025 addresses significant concerns within the Black community about policies that could potentially reverse progress in racial and economic equity and dismantle crucial support systems. Proposals such as the abolishment of the Department of Education, reduction in Medicaid funding, and the elimination of student loan relief are seen as especially devastating to Black communities with possible further reductions in federal housing support and programs like WIC, SNAP, TANF, and FEMA.</span></p>
<h4 class="p3"><span class="s2"> The Genesis of Black Project 2025</span></h4>
<p class="p3"><span class="s2"> In an election that underscored a significant divide—where the majority of Black Americans supported Democratic Candidate Kamala Harris—concern grew about what a Trump term could intell. Through the many voices, Aniya Holloway, a 22-year-old media buyer and CEO of Kultremedia on TikTok, stood out and the seeds of Black Project 2025 were sown. Holloway called for fostering an ecosystem that champions economic self-sufficiency within the Black community by promoting Black-owned businesses and black culture. While the concept isn’t new, Holloway’s proposal was unique in emphasizing grassroots involvement through modern platforms like TikTok. </span></p>
<p class="p3"><span class="s2"> Holloway explained her idea as turning the community’s economic spending inward to increase the Black family’s median income and build community wealth. This vision is very reminiscent of the early 20th century African American Greenwood District in Tulsa, Oklahoma, often referred to as “Black Wall Street” with the difference of 100 years of progress, civil right laws, and new age technology/ideas.</span></p>
<p class="p3"><span class="s2"> In her influential TikTok post, Holloway (@mediabuyingbestie) suggests, “Everything we use and consume on a daily basis, it is no longer purchased from these large corporations. It is purchased from one another.” She adds, “Maybe there is a silver lining in Kamala not being able to get into office because as a community we just become that much more tight-knit.”</span></p>
<h4 class="p3"><span class="s2"> Community Response</span></h4>
<p class="p3"><span class="s2"> Within just six days of its initial proposal, Holloway’s idea went viral, amassing over a million views and generating hundreds of thousands of reposts along with numerous videos discussing the pros and cons of the concept. With 50,000 Black Americans and black business owners already signed up and over $70,000 raised via crowdfunding, this momentum inspired Holloway to take the next step: hiring app developers/staff, creating an online server to host the community and planning virtual meetings.</span></p>
<p class="p3"><span class="s2"> Creatives like @equlibrium.essence are fervently spreading the word. “The way im promoting this group you would think it’s my job! BLACK PROJECT 2025 is a go!!! LETS GOOOOOOO,” she posted, highlighting the initiative’s potential benefits. She emphasized that everyone has a role to play: “They got judges in there, attorneys, we got lawyers, we got doctors, people who like to roller skate, whatever you think your talent is, you can contribute to the group.”</span></p>
<p class="p3"><span class="s2"> The concept of mutual support and reliance within the community is gaining tremendous enthusiasm. Whether by promoting businesses or providing professional services, individuals are finding innovative ways to contribute to the collective economic advancement.</span></p>
<p class="p3"><span class="s2"> TikToker @clayreels also advocates for collaborative efforts to dismantle systems of oppression and promote community welfare. He stated, “I have my critiques, but no plan is a bad plan within reason. I feel like we can work out the kinks if we work together and actually listen to each other.” He further urged the community to appreciate and support Black women who have been at the forefront of the movement.</span></p>
<p class="p3"><span class="s2"> The movement’s collaborative spirit resonates deeply with the community. By leveraging diverse skills and experiences, Black Project 2025 stands to devise comprehensive strategies that address the multifaceted challenges faced by Black Americans. Voices within the community highlight the importance of unity and proactive participation to drive sustainable change.</span></p>
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		<title>The Black Girl Art Show Pulls Into Raleigh Union Station</title>
		<link>https://caro.news/the-black-girl-art-show-pulls-into-raleigh-union-station/</link>
					<comments>https://caro.news/the-black-girl-art-show-pulls-into-raleigh-union-station/#respond</comments>
		
		<dc:creator><![CDATA[Dominique Heath]]></dc:creator>
		<pubDate>Fri, 05 Jul 2024 18:07:21 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<guid isPermaLink="false">https://caro.news/?p=7804</guid>

					<description><![CDATA[By Dominique Heath The Black Girl Art Show held in Raleigh, North Carolina, on June 30th, celebrated the art and achievements of Black women artists, drawing attention to their creativity [&#8230;]]]></description>
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	<p>By Dominique Heath</p>
<p>The Black Girl Art Show held in Raleigh, North Carolina, on June 30th, celebrated the art and achievements of Black women artists, drawing attention to their creativity and passion through a diverse exhibition ranging from paintings to digital art. This event served as more than an art showcase; it was a movement promoting empowerment, heritage, and unity among artists and attendees alike. Including live performances and workshops, the show underscored the importance of community and art as tools for social change, leaving a lasting impact on all participants. Its success in Raleigh points to a promising future for the traveling show, furthering its mission to uplift Black women artists nationwide and demonstrating art’s power to inspire and unite.</p>
<p>See our Instagram and Facebook, @thecaronews, for footage of the event.</p>
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		<title>Cultivating Creativity: Artsplosure Returns to Raleigh</title>
		<link>https://caro.news/cultivating-creativity-artsplosure-returns-to-raleigh/</link>
					<comments>https://caro.news/cultivating-creativity-artsplosure-returns-to-raleigh/#respond</comments>
		
		<dc:creator><![CDATA[Dominique Heath]]></dc:creator>
		<pubDate>Wed, 05 Jun 2024 18:52:31 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<guid isPermaLink="false">https://caro.news/?p=7291</guid>

					<description><![CDATA[By: Dominique Heath Guest Columnist Downtown Raleigh was transformed into an artistic wonderland this past weekend, as it played host to the much-loved Artsplosure – The Raleigh Arts Festival. The [&#8230;]]]></description>
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	<p><b>By: Dominique Heath</b></p>
<p><b>Guest Columnist</b></p>
<p>Downtown Raleigh was transformed into an artistic wonderland this past weekend, as it played host to the much-loved Artsplosure – The Raleigh Arts Festival. The weekend was rich with creativity and bustling activity, enchanting visitors with an array of artistic expressions.</p>
<p>The focal point of the festival was the acclaimed Art Market, where more than 175 juried artists and craftspeople exhibited their original masterpieces. These fine creations spanned 11 unique categories ranging from ceramics, fiber art, glass, and jewelry to metal, various 2D and 3D works, paintings, photography, tech/digital art, textiles, and wood. Art enthusiasts roamed the market, reveling in the opportunity to purchase various items such as stunning paintings, intricate pottery, ornate jewelry, and skilled woodwork.</p>
<p>Music filled the air as audiences enjoyed live performances on the main stage by a lineup of emerging national and regional artists. The event also provided creative fun for the younger crowd at Kidsplosure, which featured free arts and crafts, while art installations peppered throughout the Fayetteville Street footprint offered visual stimulus to the curious and contemplative.</p>
<p>Noteworthy artisans such as Brandi Bess of Audacious Dreamer Craft Studio and renowned painter Philip “Muzi” Branch had their unique works featured alongside fashionable pieces from Needle &amp; Thread Co. and culturally vibrant baskets by Dioum Basket LLC. Lee’s Kitchen Food Truck added its flair with aromatic Jamaican Cuisine, contributing to the immersive cultural experience.</p>
<p>Artsplosure’s ripple effect on Raleigh’s art scene was profound—illuminating the area’s artistic prowess and weaving bonds between artists, vendors, and the community. This iconic event declared its purpose by offering a welcoming haven for a diverse spectrum of artists to flaunt their creations.</p>
<p>Since its inception in 1978, Artsplosure has embarked on a transformative journey, evolving into a cornerstone of cultural anticipation in Raleigh with each passing year. Initiated by the Raleigh Arts Commission, Artsplosure was envisioned as a portal to make art broadly accessible and provide a platform for local artists to shine.</p>
<p>In the first year, the festival rooted itself in the heart of the city, shifting the cultural axis of Raleigh. Over time, Artsplosure’s footprint broadened with an ever-growing repertoire of artistic displays and a swelling audience. It championed the concept of democratizing art in Raleigh, offering a stage for the artistry of both renowned and emerging local talents.</p>
<p>Known for its rich tapestry of visual and performing arts, the festival reimagined downtown Raleigh as an animated, al fresco art gallery. It epitomized the city’s innovative spirit, presenting pioneering works across diverse mediums and styles. Artsplosure didn’t just resonate within Raleigh; it drew global attention, welcoming a medley of international artists and performers to its communal canvas.</p>
<p>With growth came adaptation; Artsplosure embraced evolving trends and technologies to continuously breathe new life into the event. Iterations of the Art Market, eclectic live performances, and the children-centric Kidsplosure infused each edition with novel creativity and interactive opportunities.</p>
<p>Looking back, Artsplosure stands out as an emblem of cultural dialogue, economic vitality, and artistic mentorship for young minds. It has etched a lasting legacy in Raleigh, reflecting the city’s forward-thinking ethos and artistic vitality. This rich tapestry of history underscores Artsplosure’s status as not just an arts festival, but a fragment of Raleigh’s cultural identity—unifying the community through an annual celebration steeped in beauty, expression, and collective joy.</p>
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		<title>A Celebration Of Music, Community And Local Area Artists</title>
		<link>https://caro.news/a-celebration-of-music-community-and-local-area-artists/</link>
					<comments>https://caro.news/a-celebration-of-music-community-and-local-area-artists/#respond</comments>
		
		<dc:creator><![CDATA[Dominique Heath]]></dc:creator>
		<pubDate>Thu, 11 Apr 2024 20:07:00 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<guid isPermaLink="false">https://caro.news/?p=6550</guid>

					<description><![CDATA[By: Dominique Heath, Columnist Dreamville Festival is not just a musical event, but a celebration of local businesses and artists. The festival, organized by J Cole and his Dreamville team, [&#8230;]]]></description>
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	<p><b>By: Dominique Heath, </b><b>Columnist</b></p>
<p>Dreamville Festival is not just a musical event, but a celebration of local businesses and artists. The festival, organized by J Cole and his Dreamville team, has become the world’s largest artist-led music festival, and one of the most powerful brands in the music industry. Each year, the festival brings together residents of Raleigh and international travelers to experience a weekend celebration filled with attractions, carnival rides, immersive art installations, and dozens of local vendors and artisans from the Raleigh region.</p>
<p>At its core, Dreamville incorporates local vendors and artisans from Wake County, showcasing over 50 food stalls daily, immersive art installations, carnival rides, and an array of attractions. Among these vendors, Vybez Kitchen, a fusion Jamaican restaurant, carved a niche for itself with its innovative approach to traditional Jamaican cuisine. Founded during a challenging quarantine period, this venture blossomed from Instagram tutorials to a thriving ghost kitchen in Greensboro, emphasizing exceptional service and a unique culinary fusion that distinguishes it from conventional Jamaican eateries.</p>
<p><figure id="attachment_6552" aria-describedby="caption-attachment-6552" style="width: 211px" class="wp-caption alignleft"><a href="https://caro.news/wp-content/uploads/2024/04/Vybez-Kitchen.png"><img loading="lazy" decoding="async" class="wp-image-6552 size-medium" src="https://caro.news/wp-content/uploads/2024/04/Vybez-Kitchen-211x300.png" alt="Vybez Kitchen at Dreamville" width="211" height="300" srcset="https://caro.news/wp-content/uploads/2024/04/Vybez-Kitchen-211x300.png 211w, https://caro.news/wp-content/uploads/2024/04/Vybez-Kitchen-42x60.png 42w, https://caro.news/wp-content/uploads/2024/04/Vybez-Kitchen-63x90.png 63w, https://caro.news/wp-content/uploads/2024/04/Vybez-Kitchen.png 523w" sizes="auto, (max-width: 211px) 100vw, 211px" /></a><figcaption id="caption-attachment-6552" class="wp-caption-text">Vybez Kitchen at Dreamville</figcaption></figure></p>
<p>Vybez Kitchen’s popularity soared as it was announced as one of the dream vendors at the festival. Its presence at the RISE stage and VIP area near the sign stage offered a splendid opportunity to engage a new audience, further enhanced by Dreamville’s spirited promotion on social media platforms. The festival’s emphasis on local talent was not confined to culinary skills alone.</p>
<p>The art scene at Dreamville vividly reflected the richness of North Carolina’s talent pool. Seven murals, meticulously crafted by local artists, adorned the festival’s landscape, creating a visual feast that complemented the auditory bliss. Among these, the story of Na’iim Shareef stands out – an Atlanta-based artist whose mural for Dreamville marked a pivotal moment in his career. Na’iim’s journey to Dreamville, sparked by a timely commercial and propelled by his passion, led him to be selected from hundreds of applicants to create a beautiful mural that stood at the entrance.</p>
<p>Na’iim’s mural was a hit at the festival, serving as a vibrant backdrop that celebrated the blend of different forms of art he loves. It was his heartfelt tribute to the music of J. Cole and other artists performing at Dreamville, intertwined with the dynamic and colorful world of anime that he adores. This mural wasn’t just about creating something cool to look at; it was Shareef’s personal expression of his passions, artfully combining music and anime into a visual feast for festival-goers.</p>
<p><figure id="attachment_6553" aria-describedby="caption-attachment-6553" style="width: 1376px" class="wp-caption alignnone"><a href="https://caro.news/wp-content/uploads/2024/04/DSC00194.jpg"><img loading="lazy" decoding="async" class="size-full wp-image-6553" src="https://caro.news/wp-content/uploads/2024/04/DSC00194.jpg" alt="Na’iiam Shareef’s Mural at Dreamville" width="1376" height="774" srcset="https://caro.news/wp-content/uploads/2024/04/DSC00194.jpg 1376w, https://caro.news/wp-content/uploads/2024/04/DSC00194-300x169.jpg 300w, https://caro.news/wp-content/uploads/2024/04/DSC00194-1024x576.jpg 1024w, https://caro.news/wp-content/uploads/2024/04/DSC00194-768x432.jpg 768w, https://caro.news/wp-content/uploads/2024/04/DSC00194-600x338.jpg 600w, https://caro.news/wp-content/uploads/2024/04/DSC00194-107x60.jpg 107w, https://caro.news/wp-content/uploads/2024/04/DSC00194-160x90.jpg 160w" sizes="auto, (max-width: 1376px) 100vw, 1376px" /></a><figcaption id="caption-attachment-6553" class="wp-caption-text">Na’iiam Shareef’s Mural at Dreamville</figcaption></figure></p>
<p>Through Dreamville Festival, Shareef’s work reached a broader audience, marking a significant step in his career and showcasing the festival’s role in fostering artists’ growth. The event wasn’t just a fun music festival; it was a place where the local community and artists like Na’iim could connect, grow, and share their talents with the world.</p>
<p>This year’s Dreamville Festival marked another successful year, epitomizing a harmonious blend of eclectic music performances, local restaurants, and artistry. From the culinary delights of Vybez Kitchen to the stirring visuals courtesy of artists like Na’iim Shareef, the festival emerged as a beacon of community spirit, creativity, and local pride for rap and hip-hop culture. It is a dynamic platform where artists, regardless of their domain, come together to share their passion with a wide audience, highlighting the magnetic allure of Dreamville as more than just a festival - it is a vibrant, living mosaic of culture, talent, and communal joy.</p>
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		<title>Painting Hope: The Inspirational Journey of Angel YA Smith, Scenic Artist and Creative Visionary</title>
		<link>https://caro.news/painting-hope-the-inspirational-journey-of-angel-ya-smith-scenic-artist-and-creative-visionary/</link>
					<comments>https://caro.news/painting-hope-the-inspirational-journey-of-angel-ya-smith-scenic-artist-and-creative-visionary/#respond</comments>
		
		<dc:creator><![CDATA[Dominique Heath]]></dc:creator>
		<pubDate>Thu, 04 Apr 2024 19:10:00 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<guid isPermaLink="false">https://caro.news/?p=6427</guid>

					<description><![CDATA[By: Dominique Heath, Columnist Angel Yolanda Antoinette Smith, affectionately known as “The Angel”, is a remarkable North Carolinian artist and woman-to-know in the creative film industry. Known for her artistic [&#8230;]]]></description>
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	<p><b>By: Dominique Heath, </b><b>Columnist</b></p>
<p>Angel Yolanda Antoinette Smith, affectionately known as “The Angel”, is a remarkable North Carolinian artist and woman-to-know in the creative film industry. Known for her artistic vision and work in acclaimed films and TV shows like “Saturday Night Live,” “The Best Man: The Final Chapters,” “Severance,” and “The Equalizer”, along with the highly anticipated Spike Lee movie starring the legendary Denzel Washington–which has yet to be officially announced.</p>
<p><a href="https://caro.news/wp-content/uploads/2024/04/Screenshot_20240402-131634-2-e1712168850321.png"><img loading="lazy" decoding="async" class="wp-image-6435 size-medium alignright" src="https://caro.news/wp-content/uploads/2024/04/Screenshot_20240402-131634-2-e1712168850321-223x300.png" alt="" width="223" height="300" srcset="https://caro.news/wp-content/uploads/2024/04/Screenshot_20240402-131634-2-e1712168850321-223x300.png 223w, https://caro.news/wp-content/uploads/2024/04/Screenshot_20240402-131634-2-e1712168850321-762x1024.png 762w, https://caro.news/wp-content/uploads/2024/04/Screenshot_20240402-131634-2-e1712168850321-768x1032.png 768w, https://caro.news/wp-content/uploads/2024/04/Screenshot_20240402-131634-2-e1712168850321-600x806.png 600w, https://caro.news/wp-content/uploads/2024/04/Screenshot_20240402-131634-2-e1712168850321.png 1058w" sizes="auto, (max-width: 223px) 100vw, 223px" /></a>While details of her upcoming film collaboration are eagerly awaited, Angel’s true passion lies in creating commissioned art pieces, which are highly valued and cherished by many. Her artwork, including mesmerizing murals and captivating paintings, is celebrated for its ability to evoke emotions,<span class="Apple-converted-space">  </span>ignite imaginations, and celebrate African heritage. Angel credited her ability to something she was born into and nurtured by her mother’s deep love for art and creative expression.</p>
<p>Angel’s journey began under the guidance of her mother, who served as her first teacher and role model. Despite facing significant educational challenges early on, including issues with hyperactivity, dyslexia, and an unnurturing environment that ultimately led her to drop out of high school. Despite these challenges, Angel persevered and successfully obtained her GED. She then went on to college where she studied biology, but her love and passion for art change her focus and receive her degree in Technical Theatre, Art, and Music from NCCU. She then went on to pursue her Bachelor of Arts in Fine Arts, specializing in scene painting, from the University of North Carolina School of the Arts, which gave her the solid framework and direction to build her career.</p>
<p>Driven by a desire to deepen her understanding of art’s profound impact on culture and society, Angel attained a Master of Arts in Culturally Responsive Education from the University of Arizona Global Campus, graduating magna cum laude.</p>
<p>Angel became a highly regarded scenic artist when she took on the position of charge scenic at the esteemed National Black Theatre Festival in Winston-Salem, North Carolina. Due to her artistic flair, unique eye for detail, and inventive techniques, Angel impressed industry professionals and gained recognition for her work. Her success there emboldened her to make the move to New York City’s tremendously competitive artistic scene as a scenic artist where she created methods of reproducing color, texture, preparation, and aging of all surfaces for production sets.<span class="Apple-converted-space"> </span></p>
<p>Her work became popular in the realm of film, television, and Broadway. Collaborating with celebrated productions including iconic movies such as “High and Low,” directed by Spike Lee, “Killing Castro,” directed by Eif Rivera, and “Guns Up.” Emmy-nominated and BET-nominated television shows such as “Severance,” “Saturday Night Live,” “The Walking Dead: Dead City,” and “The Equalizer,” among others. And critically acclaimed Broadway productions: “Mrs. Doubtfire,” “Two Can Play,” “Fences,” and “Thurgood Marshall.”<span class="Apple-converted-space"> </span></p>
<p>Beyond her work in film and television, Angel’s memberships in organizations like the I.A.T.S.E. NY Local 829 Scenic Artist Union, I.A.T.S.E. Local 417 Stagehands Union, and Alpha Psi Omega National Theatre Honor Society highlight her commitment to growth and artistic excellence.</p>
<p>Amidst the personal challenges Angel has courageously confronted along her journey, which include the profound loss of loved ones and the management of both ADHD and multiple sclerosis, her unwavering devotion to her craft has remained a stalwart presence. These adversities have only served to stoke the fires of artistic inspiration within her, fueling her creative output with newfound depth and resilience.</p>
<p>Yet, Angel’s artistic talent extends far beyond the realms of scenography and studio work. Adept at exploring the abstract, her unique artistic style is deeply influenced by mixed media and African fusion. With an inherent passion for blending diverse artistic techniques, Angel masterfully combines traditional 2-D methods with the incorporation of various three-dimensional objects. Her artistry goes beyond conventional boundaries as she seamlessly integrates elements such as cloth, wood, vases, and an array of other materials into her captivating creations. Through her mixed media approach, Angel constantly challenges viewers’ perceptions, inviting them to explore the interplay between art and physical objects. Each piece becomes a captivating fusion of aesthetics and metaphorical narratives, as familiar and unfamiliar elements create a unique harmony.</p>
<p>As Angel continues to evolve and redefine the artistic landscape, her proficiency as a mixed media artist serves as a testament to her unwavering dedication, boundless creativity, and unrivaled ability to blend diverse artistic techniques seamlessly. Her ability to bridge the gap between two-dimensional and three-dimensional art allows her to craft narratives that are both visually captivating and deeply thought-provoking.</p>
<p>Drawing inspiration from African culture and seamlessly weaving it with contemporary elements, Angel’s abstract art exudes a harmonious blend of the timeless and the modern. Vibrant and captivating, her pieces are characterized by vivid hues, intricate details, and bold, fluid strokes. Often weaving in abstract representations of the human form, nature, and cultural symbology, Angel captivates viewers, beckoning them to embark on a journey of introspection and interpretation.</p>
<p>Angel is a visionary artist who is redefining creativity through her innovative approach and unique perspective. She pushes the boundaries of traditional artistic expression, exploring new mediums and techniques to create captivating and thought-provoking works. Angel’s ability to infuse her pieces with emotion, depth, and individuality is truly remarkable. By challenging conventional norms and embracing experimentation, she encourages others to step outside their comfort zones and explore new realms of imagination. Angel’s artistic endeavors serve as a reminder that creativity knows no limits and has the power to reshape the way we perceive and experience art. Her commitment, innovation, and unique perspective guarantee a timeless artistic legacy that will inspire many. Anticipation grows for her work in the yet-to-be-released Spike Lee and Denzel Washington movie, which promises to be an extraordinary showcase of her talent.</p>
<p><i>Angel is currently accepting commissions and invites you to inquire about personalized art pieces. With her diverse artistic abilities, she can create custom artworks that align with your unique vision and preferences. Whether it’s a traditional painting, a vibrant mural, or a three-dimensional artwork, Angel is excited to bring your ideas to life. To receive your own personal piece or inquire about past pieces, you can contact her through her email at reallygoodpainting@gmail.com.</i></p>
<p><i> You can follow her on instagram @theangelyasmith, or visit her website: <a href="http://theangelyasmith.com">theangelyasmith.com</a>.</i></p>
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